Stop Shooting Log Footage

Shooting Log Template | PDF
Shooting Log Template | PDF

Shooting Log Template | PDF In this video, i break down what log footage really is, why it's not the cinematic cheat code you might think it is, and when it's actually the wrong choice for your project. It's really hard to expose when you only have a log image to look at. use a monitoring lut and start to use the waveform, histogram, and zebras to judge your exposure, rather than trusting the log image on a monitor.

Shooting Log Template | PDF | Camera | Optical Devices
Shooting Log Template | PDF | Camera | Optical Devices

Shooting Log Template | PDF | Camera | Optical Devices In this article, we will explain some of the ways to get the most out of your log video files. we will also give you some tips on what not to do so that your clips look the best they can. what is log video? log is short for logarithmic. A monitor that supports luts, like the smallhd 500 and 700 series monitors, can be invaluable on set when shooting log footage. not only will it keep your exposures consistent, but it will keep your client from wondering why your image looks so washed out. I have been asked a few times, how to expose log footage correctly or "how do i get perfect skin tones when using log." since more and more footage is being shot with various log gammas i thought i'd go a little deeper into the subject. Unless you have a 10 bit capable camera, shooting with log profiles like cine d, v log, c log, s log, or technicolor cinestyle will only damage your footage and limit what you can do with it in post production.

Shooting Log Template 1 | PDF | Film Speed | Camera
Shooting Log Template 1 | PDF | Film Speed | Camera

Shooting Log Template 1 | PDF | Film Speed | Camera I have been asked a few times, how to expose log footage correctly or "how do i get perfect skin tones when using log." since more and more footage is being shot with various log gammas i thought i'd go a little deeper into the subject. Unless you have a 10 bit capable camera, shooting with log profiles like cine d, v log, c log, s log, or technicolor cinestyle will only damage your footage and limit what you can do with it in post production. Argument that shooting log makes your footage noiser isn't valid, unless you underexpose the image and bring it up the shadows. if you expose to the same stop, you are simply reducing compression that might occur in the shadows due to a picture profile. That footage is now available, and it sheds quite a bit of light on the traffic stop and shooting that led to the death of roberts. the body camera video shows the beginning of the traffic stop and the interaction between roberts and buffalo police officer ronald ammerman. So in the past, i have attempted many times to see the benefit of shooting log footage. i’ve probably read a couple hundred hours worth of information regarding the subject. i’ve tried different ways of exposing and editing with various lut‘s. Most editing software allows you to apply a manufacturer lut to all your footage at the click of a button, so it isn't really that much more work if you don't want to grade each shot individually, but you still have the original log information if you suddenly need it.

STOP shooting LOG Footage

STOP shooting LOG Footage

STOP shooting LOG Footage

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